The
Last Supper.
“What’s that, sir?”
“What’s what?” Peter asks.
The boy, Daz, points at a
small print on the dining room wall. “That, sir.”
Peter glances at it before
answering, “It’s a famous painting, it’s called The Last Supper”.
Daz is still puzzled.
“What’s The Last Supper?”
“It’s a painting of the last meal that Jesus had before he was
crucified.” Peter knows this is not completely true, but it should
be close enough for Daz.
“Oh,” says Daz. His eyes
scan the print. “What sort of things did they eat?”
Peter looks down at his own
meal of fish fingers, peas, and chips. What did they eat? He turns
to re-examine the picture. The plates are all empty except for two
large trays of fish. Small loaves of bread are laid about the table,
looking remarkably like Big Macs. “Nothing special,” says Peter,
“probably the same as we eat.”
“Pies and chips, stuff like
that,” suggests the child.
“Yes.”
Kenny, the other member of
staff on duty, sits at the opposite end of the table. He smirks,
enjoying Peter’s predicament.
“So that meal, sir,” says
Daz, “that was held
here was it?”
Kenny splutters a mouthful
of food onto his plate, feigning a coughing fit to cover his
amusement.
Peter manages a smile. “No
it wasn’t. It’s just a picture.”
Daz looks disappointed.
“Oh,” he says, then shrugs and resumes the steady task of loading
food into his tiny frame.
*
After the meal a fight
breaks out between two of the bigger boys; Bowker, the established
leader versus the newboy.
There’s always a newboy. There’s always a Bowker. The confrontation
is a brief skirmish in the war of pecking order.
It starts something like
this:
Bowker - “You know Julie
Brown?”
Jamie (Newboy) - “Yeh,
she’s at Southfield.”
Bowker - “She rides. Have
ye hud her?”
Jamie - “Everyone’s hud
her.”
Bowker - “Yer ma’s a better ride. Ah hud her last night.”
Jamie - “Naw yer ma’s
better. Ah hud her this morning.”
Bowker - “You callin’ mah
ma a cow?”
“Naw!”
“Yuh did yah liein’ wee
shite.”
Peter calls across, “Cut it
out you two!”
The boys ignore him. It
can’t stop now.
Bowker feels he’s been insulted
enough to make his move. He pushes Jamie in the chest.
Jamie brings his hand up to
push Bowker back.
Bowker forces the confrontation. “Keep yer fukin’ hands to yerself,”
he roars, then presses forward.
Jamie pushes Bowker back,
hard.
Bowker has his excuse. He
punches Jamie, a short hard jab in the middle of the face.
Tables and chairs tumble
away from the boys as they wrestle with each other. Peter grabs both
boys and forces them apart. “That’s enough, come on, break it up!”
Honour is served and the
boys allow themselves to be separated. And Peter has applied some
uncomfortable advice; ‘If you wait for a winner, it won’t start up
again’. Unpleasant but true.
Jamie is smarting from
Bowker’s punch, but this is a small price to pay for proving he’s
‘no a bottler’.
The usual confused story
emerges. Bowker is in fact the injured party, insisting that Jamie
called his ma a cow. Peter guesses at the truth, but Jamie will ‘get
it’ if Bowker is punished. Peter hasn’t the energy too see it
through, so he lets it go. Anyway, in twenty minutes Bowker will be
crashing fags to Jamie and they’ll be best of friends. They both
know who the real enemy is.
*
The evening’s outing is to
a Swimming pool. Peter checks the day-to-day log to see which pools
have banned them recently. The page shakes as he holds it, so he
presses his hand to the desk to steady it.
Tim, a spindly fair-haired
child with an unfortunate high forehead knocks on the door then
sneaks nervously into the office. “Can I get the front seat of the
van?” he asks.
Peter looks up from the
desk. The words; ‘victim. - hurt me’ seem to hover indistinctly over
Tim’s head. “Yes,” says Peter, “you can have the front seat.”
“Thanks,” says Tim. He
darts from the office, leaving the door open. Seconds later, and
with perfect timing, Bowker appears with his sidekick Daz. He’s
smoking, which isn’t allowed in the office, and talks with the hand
holding the cigarette stretched towards the door as a concession to
the rules. He takes a quick puff before speaking, “Front seat, sir?”
“Sorry, Bowker, Tim’s asked
already.”
“That steamer!” says Bowker
angrily. He leaves the office to go and negotiate a different
seating arrangement with Tim.
Kenny will stay in the Unit
with the newboy, Jamie, who’s not worked-up to the privilege of
being allowed out for evening activities.
Bowker, Daz, and Tim ‘kit
up’ in Nike and Reebok trainers, Armani baseball hats and Berghaus
jackets. Thus proving the tremendous advantages of being in care.
The boys wait impatiently for Peter by the front door, their swim
gear rolled into matching towel sausages.
*
As soon as Peter unlocks
the passenger door of the van, Bowker and Daz elbow their way into
the front seats and slam the door shut. Tim looks on with a tearful,
questioning expression.
Peter opens the passenger
door again. “One of you will have to get out.”
Bowker glares at Tim before
saying, “See you, yah wee steamer, you’re getting it tight.”
“We’re not leaving,” says Peter, “until this is sorted out. Tim
asked first. You can get the front on the way back.”
Bowker stares
straight-ahead refusing to move.
Peter plays his trump card.
“Well we’re not going anywhere then.”
Bowker kicks the front
dash. “You’re a fukin” wee prick, Tim.” He starts to undo the seat
belt, pantomiming his anger.
Tim climbs into the back of
the van. “It’s all right, sir,” he says.
Bowker smiles and re-clips
his seat belt. He waits until Peter is sitting in the driver’s seat
then pulls a cigarette from behind his ear. “Light up a fag, sir?”
“You know there’s no
smoking in the vans.”
“It’s OK, sir, I’ll hang
out the window.”
“No.”
“You’re a steamer! Kenny
lets us smoke in the van.”
Peter hopes that Bowker is lying. “I don’t care what Kenny lets you
do,” he says firmly, “the rule is - there’s no smoking in the vans.”
“You’re a shite staff,”
sneers Bowker, “none of the boys likes you.”
“Shite staff,” echoes Daz.
Peter stares ahead,
searching for an answer. Bowker’s statement needs a quick flippant
reply. “Good job I get paid to work here then,” he says.
Bowker has his reply ready.
“Shite money, I get more tanning a couple of good stereos.”
Peter takes a deep breath and starts the van. They set off in
silence, Bowker grinning at his imagined victory of words.
*
They pass through Niddrie
on the way to the pool. Two police cars with flashing blue lights
flank a battered saloon. The driver is being questioned.
Daz jumps up and down in a
fervour of hatred, shaking ‘vee signs’ at the police and chanting,
“Pig, pig, fuck the pigs, pig, pig, fuck the pigs.” He presses his
face against the side window as the van pulls out to pass the
obstruction. He shouts again, his voice filled with loathing,
“Bacon, bacon, I smell bacon.” Then he identifies one of the car’s
occupants. “That’s mah wee cousin Derek.” He leans across to grab
the steering wheel. “Stop, sir.”
Peter knocks the hand away.
“No!”
“Fuckin’ watch who you’re
hittin’,” says Daz. He speaks to Bowker, “Derek’s coming to the
home. He’s a great laugh. Likes a wee smoke, gets it easy. Me and
him go for a spin at the weekend.”
Peter overhears the last
part. “Joyriding, that’ll get you put in secure.”
Daz laughs. “Wee Derek’s
been in secure. Says it’s a doddle. Says the staff are pussies, an’
you don’t do school work.”
Peter tries to change the
subject. “What is it Big Karen calls the police? Nee-naws, I like
that.”
Daz and Bowker exchange
looks. Bowker shakes his head mouthing ‘fucking dickhead’ under his
breath.
Peter pretends not to hear
the last comment.
*
Safely through the Land of
the Nidroids, the journey continues. By keeping the van moving Peter
can minimise public offence. The ‘bigot-bus’ has something for
everyone. The boys abuse; the old, the mentally handicapped, ethnic
groups, women, the tall, the short, the fat and the thin - the
police, and each other. The script is well rehearsed and no sooner
has Peter quelled one abuse before another springs up to replace it.
Suddenly a large, noisy
motorbike sweeps past and Bowker shouts, “Yah fucker! Ah could tan
that.” His eyes lust after the receding machine and he is prompted
to share his motorcycling history with the van. “Pinched this boys
step-thru last weekend, fucked it on the bing. They’re shite bikes.”
He pauses remembering another moment of glory. “DT's a good bike for
the bing.”
Daz joins in. “Boy down my
bit has a DT. Keeps it in his back yard. Dead easy chorey if we had
a hacksaw. Lend us a hacksaw, sir.”
“So that you can steal a
motorbike?”
“Obviously,” quips Bowker.
Peter shakes his head.
“Forget it.”
*
Inside the pool Peter
watches the boys change. Left alone they will intimidate other kids
and steal their locker money.
The boys tease Peter by
calling to the attendant, “Hey! There’s a man watching us getting’
changed. He’s trying to see our arses.” They flash at Peter mouthing
comments like, ‘poofy bastard’ and ‘suck my cock’.
Fortunately the attendant
knows Peter, and the boys. He laughs. “Smart little pricks. You
won’t cry much if one of them drowns?”
Peter pauses. No feels like
a good answer, but he goes for the soft option. “I hope not,” he
says, “too much paperwork.”
*
The air in the pool is
pungent with chemicals. Peter watches the boys from high in the
empty rows of hard plastic seating. A glaze of sweat forms quickly
on his forehead.
The boys play chase along
the poolside. The lifeguard’s whistle echoes from the high ceiling,
and his beckoning finger calls Bowker across. Peter leans forward;
surely they won’t get thrown out so soon. Can Bowker manage to take
a reprimand without telling the lifeguard to ‘Fuck Off’? Yes, it
seems this week he can. Peter relaxes.
Ten minutes later and the
boys have congregated on the top diving board. They lean over the
railings and aim gobs of spit at the people lower down. The guards
haven’t noticed yet. The boys see Peter watching and send him one
fingered ‘spin on this’ salutes. Peter pretends he hasn’t seen them
and they go back to their spitting.
A girl falls and cracks her
head on the hard tiling. Blood runs down the front of her face and
she leaves a spotted trail of red droplets as she shuffles towards
the First-Aid room. The boys keep pace, swimming alongside her and
pointing and laughing.
Tim is on the top board
waiting to be noticed. He can do the top board. Peter waves to let
the boy know he’s been seen.
Tim pauses for a moment
taking one last breath then topples forward and hurtles downward.
His thin white body plops into the water and an effervescence of
bubbles floats briefly on the surface. For a few seconds the boy is
lost from sight, then he emerges from the poolside steps. Again he
looks Peter’s way to be sure he’s been seen. Seeking approval, and a
witness.
Peter waves back and
smiles, giving a big ‘thumbs-up’ sign.
*
Outside the pool Daz
eyes-up mountain bikes chained to a stand. He gets excited when he
sees one of them is un-locked.
“Boy’s an arse,” he says.
“That’s an easy chorey.”
Peter acts quickly and
wheels the bike into the building, placing it in the care of a
security guard.
When Peter gets back,
Bowker stares at him in disbelief. “What d’you do that for?”
“The guy forgot to lock his bike up, it might get stolen.”
“What a dick! That was
worth fifty quid down my bit.”
“Exactly,” says Peter. “So
we’ve done the guy a good turn.”
Bowker shakes his head and
stares at Peter with smouldering contempt, “You’re an arse. I was
goin’ to have that.”
“Steal it?”
Bowker explains. “The boy never locked it up. He’s an arse, it was
an easy chorey.”
“OK,” says Peter, “the boy
was an arse. Now let’s go!” He walks to the van and unlocks the
passenger door, then the side door.
Bowker installs himself in
the front seat. “Remember,” he says, “I was to get it on the way
back.”
Peter is too tired to argue
with Bowker’s scrambled logic.
Tim shuffles dutifully into
the back of the van. Daz sits beside Bowker, bathing in his hero’s
muddy ego.
*
Kenny has cheese-on-toast
ready for them when they get back. Once they’ve put their damp
towels and swimming trunks in the laundry basket, they sit down in
the TV room to eat.
Kenny entertains the boys
with a steady stream of nonsense.
Peter remembers a time when
could do that but not anymore. He watches Daz build a small wall out
of a pile of crusts on his plate and wonders how old the boy is
inside his head.
“Was it good at the pool
tonight lads?” asks Kenny.
Bowker relates the
highlights. “This lassie split her heid open,” he says. “Blood was
everywhere. It was a real laugh.” He fills his mouth with a piece of
cheese-on-toast that he’s dipped in his tea. Then he continues,
talking through the moist ball of food, and spitting tiny lumps of
it on the table. “We saw this bike! The boy hadnae locked it.
Steamer Peter went and took it to the security man.”
The boys laugh as if this is the funniest thing they have ever
heard.
“I was gonna do a runner,”
says Bowker excitedly, “an’ go back for the bike later. It was worth
fifty quid to me. Easy chorey it was.”
“Don’t you think we did the
right thing?” asks Peter.
Bowker shakes his head and
flicks his ear with his index finger. “Dingie, dingie,” he chants,
dismissing Peter as an idiot.
Then, as a diversion,
Bowker puts sugar on Tim’s toast. Tim gets upset and storms through
to the dining room to eat in peace.
“That wasn’t too smart,”
says Peter.
“Crawlin’ wee steamer,”
says Bowker, “he’s always wantin’ the front seat in the van.”
Peter doesn’t reply. He
leaves the group and heads along to the kitchen, taking some dishes
to wash and dry.
Tim sits quietly at the
table next to the print of The Last Supper. He sips from a
cup-of-soup and stares vacantly into the painting. Then his thin
voice breaks the calm, “He wasn’t killed straight away.”
“What?” says Peter.
“Jesus. They locked him up
first and tortured him.”
“You’re right. But I needed
something easy to say to Daz.”
Tim nods. “Did you see my
dive?”
“Yes. It was good. Who
taught you to dive?”
“My dad.”
Peter sits opposite the
boy. “How is your dad?”
“He’s OK. Gets out in three
months time. Then we’re all moving down to Bristol. He’s getting a
job as a van driver with a laundry company and we’re all going to
live in a big house.”
Peter recognises the plot
of a TV play from earlier in the week. “That should be nice,” he
says. He hears the front door opening and footsteps approach along
the corridor next to the dining room.
Jack the night man puts his
head round the door. “How’re we doing tonight?” he says.
Peter answers. “Fine. Just
the four boys. I’ll come along to the office and do the hand over.”
He turns to Tim. “Can you wash your own cup?”
Tim jumps up from the
table. “Paint me black and call me Benson,” he says. “I’m no washing
nothing.” Then he hurries away.
Jack laughs. “What was that
all about?”
Peter contains his
disappointment. He shakes his head. “Haven’t a clue, Jack.”
Jack looks at the cup and
plate. “Just leave it. I’ll get them later.”
*
Evening’s end and the boys
huddle around the TV dressed in their pyjamas. Bowker sprawls on the
big settee with his hand down the front of his pyjamas. He casually
touches himself as he smokes a cigarette and holds court over his
domain. He clips dissent with the hard stare and the threatening
question, ‘What’re you saying?'
It’s rhetorical of
course. The only safe answer is no answer. Bowker doesn’t forget.
Bowker saves up his retribution.
Jack settles in his seat
and dismisses the day staff. “You not away yet,” he says.
Kenny leaves first. “Night, boys.”
The chorus answer, “Night,
Kenny.”
Bowker adds an
affectionate, “Yah steamer.”
Kenny makes out he’s about to skelp Bowker’s backside.
Bowker laughs. “Dinnae,
Kenny, I’ll huvtae get you charged.”
Peter says his goodnight.
The response is lukewarm. Bowker finds the TV has suddenly taken his
full attention.
Outside it’s dark and
raining heavily. Peter’s car is slow to start, then bursts into
life. He uses the by-pass and urges the car up to the speed limit.
The tape in the stereo is Patsy Cline. She sings of lost love and
pain.
Peter passes a lorry -
plunging blind into the billowing mass of spray thrown up from its
wheels. For a few seconds he is lost in a liquid grey cocoon. But
when he emerges his world is unchanged.
The embankment with the
steep drop is coming up soon. Peter wonders if tonight he will find
the resolve to steer the car over it.
***
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